“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, April 29, 2014

Winter Wonderland

As I understand it, John Connolly’s THE WOLF IN WINTER topped the bestseller charts in Ireland and the UK while I was away on holidays, which is marvellous news but not entirely surprising – to my mind, THE WOLF IN WINTER is one of the finest of John Connolly’s books to date. I was particularly impressed by its ambition, as you might guess from this snippet from an Irish Examiner interview published last week:
THE WOLF IN WINTER finds Charlie Parker investigating the disappearance of a young woman and the apparent murder of her father, a homeless man who lives on the streets of Portland in Maine. Far from resting on his laurels, the 46-year-old author has blended a novel of social conscience into his traditional private eye tale, and also explores themes of ancient and contemporary spirituality.
  “It’s because I enjoy doing it,” says John when I ask why it is that he seems so restlessly self-challenging. “I love what I do, and if you love what you do you take a kind of craftsman’s pride in wanting to produce the best work possible. I know that there are writers who object to that word ‘craft’, who say that a book is art or it’s nothing. But I don’t get to decide what’s art and what isn’t. That’s a function of time as much as anything else. And all art is a function of craft. You work with craft and if you’re lucky there’s a moment of transcendence and you produce something that just slips past that barrier, whatever it may be, and becomes something slightly greater than its parts. But you don’t get to decide those things. All you can do is sit down each time and write the best book you can.”
  For the rest of the interview, clickety-click here
  Meanwhile, Declan Hughes reviewed THE WOLF IN WINTER for the Irish Times, and a very fine piece it is too. You’ll find it here

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