“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Thursday, November 9, 2017

Now Reading … Mountains of the Mind by Robert MacFarlane

A man with an unerring eye for a good book, Hilary White was kind enough to pass on his copy of Robert MacFarlane’s Mountains of the Mind: A History of a Fascination – it’s a brilliant account of how the perception of mountains has changed over the millennia. The chapter on George Mallory’s obsession with summitting Mt Everest is particularly gripping – here’s a snippet from Mallory’s third ascent, in 1924, when Howard Somervell and Edward Norton go ahead of Mallory and Irvine, without oxygen:
Somervell has to stop, but Norton presses on to 28,000 feet before he realises that he will die if he does not turn back. Precariously he descends the slabs, and meets Somervell. They descend together back towards the col, with Norton perhaps twenty yards ahead of Somervell. Suddenly Somervell coughs hard, agonizingly hard, and feels something from inside him, some object, detach itself and jam in his throat. He begins to choke to death. He cannot breathe, nor can he shout to Norton. Norton turns, but thinks that Somervell is hanging back to make a sketch of the mountain. No, he is hanging back to die. He sits down in the snow, and watches Norton walk away from him. Then – a final effort – he hammers his chest and throat with his clenched fist, and simultaneously coughs as hard has he can. The thing dislodges itself and jumps into his mouth. He spits it out on to the snow. It is a chunk of his larynx, killed by frostbite.
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